material / rearranged / to / be
- Submitting institution
-
Coventry University
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 24319713
- Type
- I - Performance
- Venue(s)
- Barbican Curve, London: 20-28 January 2017 Tramway, Glasgow: 22-30 April 2017 The Whitworth, University of Manchester: 6-14 May 2017 Bluecoat, Liverpool:1-9 July 2017
- Open access status
- -
- Month of first performance
- January
- Year of first performance
- 2017
- URL
-
https://uoa33.coventry.domains/material/
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
9
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This collective output is the fifth and final work, culminating from over ten years iteratively researching the relationship between dance and visual art by developing ‘performance installations’ in different curated gallery spaces. The aim was to engage more intimately and personally with audiences and contribute to the emerging discourse around dance and visual art. An additional aim was to evolve an increasingly more collaborative practice. This output, as the culmination of this research, eschews entirely the notion of the principal author by giving each artist involved full responsibility for both their individual works and the collective work.
- Reserve for an output with double weighting
- No
- Additional information
- The 300 word statement can be accessed alongside the output and contextual information at the URL provided.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
