The Routledge Companion to Screen Music and Sound
- Submitting institution
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City, University of London
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 499
- Type
- B - Edited book
- DOI
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- Publisher
- Routledge
- ISBN
- 9780367871192
- Open access status
- -
- Month of publication
- June
- Year of publication
- 2017
- URL
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-
- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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2
- Research group(s)
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-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This volume enables a detailed reconceptualisation of the intersections between media such as television, videogames, and film: the inclusive framework of screen music and sound reflects broader shifts in audiovisual scholarship and articulates a vision for the future of the field. I initiated the project and assembled and managed the editorial team (Mera, Sadoff, Winters) who jointly determined the structure, approach, and content of the volume overall. My contribution includes a sole-authored chapter (Ch.3, pp.38-49), a co-authored chapter (Ch.23, pp.291-304, equal co-author input), the co-authored Introduction (pp.1-14, written equally by myself and Winters with minor contributions from Sadoff), and contributing to the Roundtable (Ch.9, pp.108-124).
A rotating system was used for the editing. Editors contributed equally, taking primary or secondary responsibility for tranches of the forty-six chapters in three different stages, each editor engaging at various points with every chapter. Each chapter was also externally peer-reviewed.
- Author contribution statement
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- Non-English
- No
- English abstract
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