Modern Painters, Old Masters : The Art of Imitation from the Pre-Raphaelites to the First World War
- Submitting institution
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University of York
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- 54935144
- Type
- A - Authored book
- DOI
-
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- Publisher
- Yale University Press for The Paul Mellon Centre for Studies in British Art
- ISBN
- 9780300222753
- Open access status
- -
- Month of publication
- May
- Year of publication
- 2017
- URL
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- Yes
- Number of additional authors
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0
- Research group(s)
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-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This monograph meets the criteria for double weighting in scale (97,000 words, 286 pp, 154 ill), in the extended period of its development, and in the investigation of its theme from different perspectives. The research was initiated in a series of Paul Mellon Lectures given in 2011 at the National Gallery, London, and Yale University (with accompanying workshops). Its investigation brings together primary research and theoretical insights from three distinct areas: the historiography of Old Master painting, including museum collecting and the formation of art history as a scholarly discipline; artistic production in Britain 1848-1914; and theories of artistic reception.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -