Rediscovering Stanislavsky
- Submitting institution
-
Goldsmiths' College
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 3367
- Type
- A - Authored book
- DOI
-
10.1017/9781139151092
- Publisher
- Cambridge University Press
- ISBN
- 9781139151092
- Open access status
- -
- Month of publication
- November
- Year of publication
- 2019
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
T - Theatre and Performance
- Proposed double-weighted
- Yes
- Double-weighted statement
- This major work on Stanislavski, running to over 400 pages, is the result of a decade’s examination of archival material in Russian, rehearsal transcripts and rehearsal lessons. For the first time in any language, it accounts in meticulous detail for Stanislavski’s ground-breaking ensemble work and laboratory research in all six of his studios. It draws extensively on sociology, history, politics, culture and religion, to situate Stanislavski’s practices in the contexts in which they were produced. The book also proposes, for the first time, that Stanislavski’s Russian Orthodox worldview shaped his methodological development of his actors, directors, designers and singers.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -