Performing Interdisciplinary Boundaries Through Active Aesthetic
- Submitting institution
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Norwich University of the Arts
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- NUA-EB-02
- Type
- B - Edited book
- DOI
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-
- Publisher
- Routledge
- ISBN
- 978-1-138-67885-9
- Open access status
- Out of scope for open access requirements
- Month of publication
- -
- Year of publication
- 2018
- URL
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-
- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- Yes
- Number of additional authors
-
-
- Research group(s)
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B - Human Interfaces
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This volume is the result of eight years of research into the nature of interdisciplinary exchanges between performance and other disciplines. It offers an evaluation of the ways we measure, capture, and value knowledge.
Bryon wrote the Introduction and Part 1, which considers the nature of practice in knowledge, with a critical history of disciplinarity. Bryon’s editing stipulated cross-chapter discussions adding to the inter/transdisciplinary nexus of the book. As a result of its publication, Bryon was approached by the MAYO clinic to advise on developing their Medical Humanities degree and Invited to co-author an article in the MAYO clinic’s journal.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
