Rethinking the Theatre of the Absurd: Ecology, Environment and
Greening of Modern Stage
- Submitting institution
-
University of Glasgow
- Unit of assessment
- 34 - Communication, Cultural and Media Studies, Library and Information Management
- Output identifier
- 34A-04181
- Type
- B - Edited book
- DOI
-
-
- Publisher
- Bloomsbury
- ISBN
- 9781472506672
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2015
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
1
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- Lavery initiated the project, established the original research focus on ‘greening’, and was awarded the contract for the
proposal which he submitted alone. He assembled the contributors, curated and commented on each of the essays, and edited and proofread all texts. In addition, he provided the logic for and produced 70% of a 59 page co-written
‘Introduction’ with Clare Finburgh (c. 15, 000 words); contributed a c. 12,000 word stand alone essay on ‘Ionesco’s Green Lesson’; and co-authored a c. 9000 word essay with Mark-Taylor Batty on ‘Harold Pinter and the Secluded Voice’.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -