The Pop Industry from Stagnation to Perestroika: How Music Professionals Embraced the Economic Reform That Broke East European Cultural Networks
- Submitting institution
-
Roehampton University
- Unit of assessment
- 28 - History
- Output identifier
- 1307536
- Type
- D - Journal article
- DOI
-
10.1086/708499
- Title of journal
- JOURNAL OF MODERN HISTORY
- Article number
- -
- First page
- 311
- Volume
- 92
- Issue
- 2
- ISSN
- 0022-2801
- Open access status
- Compliant
- Month of publication
- June
- Year of publication
- 2020
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This 19,000-word article is based on research conducted during extensive trips over several years to ten archives and research libraries in Russia, Ukraine, Poland, Japan, and the United Kingdom. It draws on a large body of sources beyond the norm for a research article, including unexplored archival documents produced by diverse political, social, and cultural institutions. The article covers a wide geographical area, examining transnational interactions between the USSR and the outside world. It engages with and bridges a major gap between distinct bodies of cultural and economic history of the USSR and the Cold War.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
