On Ruins and Ruination [Guest Editors]
- Submitting institution
-
University of Glasgow
- Unit of assessment
- 34 - Communication, Cultural and Media Studies, Library and Information Management
- Output identifier
- 34A-11921
- Type
- B - Edited book
- DOI
-
-
- Publisher
- Taylor & Francis
- ISBN
- 0000000000
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2015
- URL
-
http://eprints.gla.ac.uk/223510/
- Supplementary information
-
-
- Request cross-referral to
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
1
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This 182 page project was initiated by Lavery and was closely linked to his AHRC grant ‘The Future of Ruins’. Lavery curated the project, drafted the call for papers, selected contributors in order to facilitate an expansive notion of performance, and purposefully played on literal and metaphorical notions of ruins and ruination. He edited, commented and provided extensive feedback on all contributions. Lavery wrote the entirety of the c. 5000 word Introduction and edited all texts himself (Gough largely played an advisory role). He also contributed all the writing and thinking for the c. 10,000 word co-authored ‘A Future for Hashima: Pornography, Representation and Time’. The images were composed by Lee Hassall and were drawn from the 30 minute text and image performance that Lavery and Hassall have performed in numerous venues nationally and internationally.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
