A spectral pitch class model of the probe tone data and scalic tonality
- Submitting institution
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The Open University
- Unit of assessment
- 11 - Computer Science and Informatics
- Output identifier
- 1689397
- Type
- D - Journal article
- DOI
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10.1525/MP.2015.32.4.364
- Title of journal
- Music Perception
- Article number
- -
- First page
- 364
- Volume
- 32
- Issue
- 4
- ISSN
- 1533-8312
- Open access status
- Out of scope for open access requirements
- Month of publication
- -
- Year of publication
- 2015
- URL
-
-
- Supplementary information
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-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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2
- Research group(s)
-
-
- Citation count
- 14
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- There is a long-ranging debate about how people perceive musical scales - whether this is acquired (i.e., learned), or innate (i.e., based in human perception of sound). This work contributes a statistical model, with one of the best fits to the empirical data, pointing to the importance of an innate psycho-acoustic explanation. The model has contributed to work on memory (Herff et al., 2018) and understanding of inter-rater agreement (Herff et al., 2017). It contributed to the PhD thesis of Milne, now Senior Research Fellow in Music Cognition & Computation funded by an Australian Research Council DECRA award.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -