Across the Great Divide: Modernism's Intermedialities, from Futurism to Fluxus
- Submitting institution
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Royal Holloway and Bedford New College
- Unit of assessment
- 34 - Communication, Cultural and Media Studies, Library and Information Management
- Output identifier
- 28729219
- Type
- B - Edited book
- DOI
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- Publisher
- Cambridge Scholars
- ISBN
- 978-1-4438-5478-8
- Open access status
- -
- Month of publication
- March
- Year of publication
- 2014
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
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- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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2
- Research group(s)
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- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- The edited collection "Across the Great Divide: Modernism’s Intermedialities: From Futurism to Fluxus" emerged from the research panel “Modernism’s Intermedialities: From Futurism to Fluxus” organised by Rhys Davies, Chris Townsend and Alex Trott for the annual Association of Art Historians Conference at the Open University in 2012. The panel explored how intermedial practices in painting, projection and performance corroded boundaries established by modernism’s pursuit of medium specificity and rhetorical purity. Davies, Townsend and Trott jointly conceived the edited volume, commissioned and edited all the essays equally. Davies co-wrote the Introduction with Townsend (pp. vii – xxvii), each contributing 50%, and contributed his own essay "From Victorian Theatrical Melodrama Production to the Futurist Serate: The Fall and Rise of Kinetic Emulation as an Evocation of the Modern Landscape" (pp. 1 – 24).
- Author contribution statement
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- Non-English
- No
- English abstract
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