Anthropomorphizing Ayan in transatlantic gender narratives
- Submitting institution
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Cardiff University / Prifysgol Caerdydd
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 97034965
- Type
- C - Chapter in book
- DOI
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- Book title
- The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks
- Publisher
- University Press of Mississippi
- ISBN
- 9781496802934
- Open access status
- -
- Month of publication
- December
- Year of publication
- 2015
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- Villepastour’s chapter appears in The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood that Talks (Jackson: University Press of Mississippi, 2015), which she edited. In addition to inviting contributors, editing their work and writing the chapter submitted here (chapter 5 in the book), Villepastour also co-authored chapter 2, ‘Divining Àyàn: An Òrìṣà Priest from Ògbómọ̀ṣọ́ Speaks…’, based on interviews she conducted with Kawolẹ̀yin Àyángbẹ́kún [pp. 51–73]. In 2016 the book was awarded a Commendation Prize by the British Forum for Ethnomusicology.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -