Finding Democracy in Music
- Submitting institution
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The University of Huddersfield
: A - Music
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies : A - Music
- Output identifier
- 24
- Type
- B - Edited book
- DOI
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-
- Publisher
- Routledge
- ISBN
- 9780367486921
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2020
- URL
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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1
- Research group(s)
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-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This book is based on the international conference I organised at Huddersfield in September 2017. I was wholly responsible for the call for papers and the programming of the conference, and thus also for the academic orientation of the book – which explores ways in which musical practices of the past 100 years have advanced ideas of democracy (as opposed to how music has been deployed within democratic debate, which has been extensively explored elsewhere). The volume contains significantly enlarged versions of the two original conference keynote presentations by Prof Georgina Born (Oxford) and Prof Tina Ramnarine (RHUL), plus contributions from seven other speakers, including me. Following the conference, in line with the preference of the book series towards co-editing arrangements, I invited Prof Esteban Buch (EHESS, Paris) to help me select the volume contents, co-edit the chapters, and co-author the introduction.
The research component claimed for this output is therefore: the curatorial work involved in developing the call for papers, choosing the keynote speakers, and programming the conference; the editorial guidance offered to contributors (50%, shared with Prof Buch); the co-authored introduction (50%, shared with Prof Buch); and the original research contained in my chapter on Elliott Carter (100%).
- Author contribution statement
- -
- Non-English
- No
- English abstract
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