Intergenerational Dance Revival: The Multiple Contexts and Values of Revisiting Historical Dance Repertoire
- Submitting institution
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Leeds Beckett University
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 23
- Type
- C - Chapter in book
- DOI
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- Book title
- Dance Fields – Staking a Claim for Dance Studies in the Twenty-First Century
- Publisher
- Dance Books
- ISBN
- 978-1852731816
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2020
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
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- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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1
- Research group(s)
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-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This chapter is an outcome of Laura Griffiths’ year-long collaborative research project with the co-author, Christy Adair, and Phoenix Dance Theatre in 2017. It appears in David, Huxley and Whatley (eds.), Dance Fields – Staking a Claim for Dance Studies in the Twenty-First Century. (Binsted: Dance Books, 2020). The output built on Griffiths’ extensive research undertaken during doctoral study into the body as archive. Griffiths contributed specific discourse relating to new ways of thinking about how embodied knowledge is translated across multiple generations of dancers. Working collaboratively with Adair, Griffiths was involved with the output’s design, drafting, editing and publication.
- Author contribution statement
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- Non-English
- No
- English abstract
- -
