Seven Songs for a Long Life
- Submitting institution
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University of Edinburgh
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 145751151
- Type
- Q - Digital or visual media
- Publisher
- SDI Productions Ltd
- Month
- October
- Year
- 2015
- URL
-
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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3
- Research group(s)
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-
- Proposed double-weighted
- Yes
- Double-weighted statement
- Seven Songs For a Long Life is a feature-length documentary film, premiered in 2015 and made over 6 years in collaboration with UK and US charities, including the National Council for Palliative Care & Dying Matters. A complex film-making process began with family workshops designed by the director with residents of Strathcarron Hospice that led to 50 short films incorporated in the whole. This process was designed with advice from academic specialists in palliative care and music from Edinburgh and Glasgow Universities , led by the Palliative Care Leadership Collaborative, with NHS ethics approval for impact on the process.
- Reserve for an output with double weighting
- No
- Additional information
- Seven Songs for a Long Life is a documentary film that resulted from an interdisciplinary creative collaboration between the documentary film-maker Amy Hardie, medical and health care professionals and patients at the end of life.
When the research project began in 2011, the UK health system was based on a medical model emphasising a disease-led approach to care. Challenging this model, and working with patients, families and staff, Hardie explored documentary interventions in palliative care in Strathcarron hospice in Scotland.
Hardie worked with 15 families to make films in an iterative process that included reflective listening and screenings. These films were, variously: legacies, made for those facing bereavement; portraits taking stock of patient life stories; play spaces, expressing parts of themselves that get submerged in the problem-solving ethos of dealing with illness; and unspoken observations where families used the camera to communicate emotions hard to express in words.
Between 2013 and 2018, demand by UK palliative care policy makers grew for these short films which screened, for instance, to an audience of 2,500 at ‘Building Bridges’ conference in London, at ‘Changing Capacities’ in Liverpool, and ‘World Congress of European association of Palliative Care’ in Prague.
The participation of patients and staff continued as Hardie directed the final feature documentary, (supported by UK and international funding of £302k), and designed post-screening workshops. These deepened audience engagement with the themes of the film, i.e. values at end of life, capacity of carers, and fear of mortality, developing into seminars for health professionals and NHS policy makers.
The cinema feature premiered in October 2015 in Scotland, and was then bought by 8 countries and distributed by Argot Pictures and Cargo in the USA.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -