À la recherche de Sauve la vie (qui peut) de Jean-Luc Godard
- Submitting institution
-
Roehampton University
- Unit of assessment
- 34 - Communication, Cultural and Media Studies, Library and Information Management
- Output identifier
- 565819
- Type
- D - Journal article
- DOI
-
10.4000/1895.5283
- Title of journal
- 1895: Revue d’histoire du cinéma
- Article number
- -
- First page
- 71
- Volume
- 81
- Issue
- Spring 2017
- ISSN
- 0769-0959
- Open access status
- Compliant
- Month of publication
- May
- Year of publication
- 2017
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- Yes
- English abstract
- This journal article examines a little-known experimental compilation film, based around extracts of his feature film Sauve qui peut (la vie) (Every Man For Himself, 1980), that Jean-Luc Godard composed using film reels and projectors within the framework of a series of lectures on cinema history that he delivered in Rotterdam in 1980-1981. A much shorter and less detailed version of this article first appeared in English in NECSUS: European Journal of Media Studies: https://necsus-ejms.org/in-search-of-godards-sauve-la-vie-qui-peut/
