Hockets Broken and Integrated in Early Mensural Theory and an Early Motet
- Submitting institution
-
University of Cambridge
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 2807
- Type
- D - Journal article
- DOI
-
10.1017/S0261127917000055
- Title of journal
- Early Music History
- Article number
- -
- First page
- 31
- Volume
- 36
- Issue
- -
- ISSN
- 0261-1279
- Open access status
- Compliant
- Month of publication
- September
- Year of publication
- 2017
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This extensive article (c. 32,000 words) results from a multi-layered, complex and time-consuming analysis of extensive primary materials. Painstaking lexicographical study of thirteenth-century music theory is used to establish a new definition of an important genre, and reveals a discursive range of historical opinions about its perceived value, while a comprehensive search of the early motet repertory identifies 100+ compatible examples. New techniques of musicopoetic analysis are developed, based on a freshly-edited case-study.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -