Ellipsis in English literature: Signs of omission
- Submitting institution
-
University of Cambridge
- Unit of assessment
- 27 - English Language and Literature
- Output identifier
- 1229
- Type
- A - Authored book
- DOI
-
10.1017/CBO9781139680974
- Publisher
- Cambridge University Press
- ISBN
- 9781107073012
- Open access status
- -
- Month of publication
- January
- Year of publication
- 2015
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- Parts of Ch.1 first appeared in 'Quid ais Omnium? Maurice Kyffin’s 1588 Andria and the Emergence of Suspension Marks in Printed Drama’, Renaissance Drama, 34 (2005), and in 'Tragedy and the Sign of the Eclipse', in Tragedy in Transition, ed. Brown and Silverstone (Blackwell, 2007). Parts of Ch.3 were published originally in 'Anna Barbauld on Fictional Form in The British Novelists (1810)', Eighteenth-Century Fiction, 24 (2011-12), and of Ch.4 in 'Explorations in Dot-and-Dashland: George Meredith's Aphasia', in Nineteenth-Century Literature, 61 (2006). All this material appears in the book in substantially revised form and was not submitted to REF 2014.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -