Embodied Knowledge in Ensemble Performance
- Submitting institution
-
York St John University
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 148
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Ashgate
- ISBN
- 9781472419613
- Open access status
- Out of scope for open access requirements
- Month of publication
- March
- Year of publication
- 2014
- URL
-
http://ray.yorksj.ac.uk/id/eprint/1301/
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This book-length submission represents a substantial and sustained exploration of how performative musical knowledge is drawn upon and shared through ensemble performance. As ensemble interaction and musical epistemology are new areas of research, the research required engagement with a large number of related fields, including musicology, psychology, sociology, business studies, neurology, and linguistics. Likewise, this research sits at the junction between theory and practice, requiring a firm grounding in musical practice, rehearsal, and performance.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -