Defining the Discographic Self: Desert Island Discs in Context
- Submitting institution
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City, University of London
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 1390
- Type
- B - Edited book
- DOI
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- Publisher
- Oxford University Press
- ISBN
- 9780197266175
- Open access status
- -
- Month of publication
- November
- Year of publication
- 2017
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- The 2013 British Academy conference underpinning this volume represented the first time that this culturally significant radio programme had been subject to extensive academic scrutiny. Together with my co-editors (Brown, Cook), I played a full role in shaping and editing the volume that arose from the conference. In addition to my sole-authored chapter (13), I was the lead editor for chapters 4, 5, 7 and 12, and offered extensive comments on all others. I authored approximately 40% of the Introduction and edited the remainder. I undertook seven of the interviews leading to the ‘Personal Spins’. This involved gaining the agreement of the individuals concerned, interviewing them, reworking the interview transcripts into first-person subject narratives, before seeking approval from the interviewee for the published text.
- Author contribution statement
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- Non-English
- No
- English abstract
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