Staging the Artist: Performance and the Self-Portrait from Realism to Expressionism
- Submitting institution
-
Queen's University of Belfast
- Unit of assessment
- 26 - Modern Languages and Linguistics
- Output identifier
- 97302395
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Routledge
- ISBN
- 978-1-4094-2775-9
- Open access status
- -
- Month of publication
- December
- Year of publication
- 2016
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This 75,000 word-monograph is a multi-disciplinary, wide-ranging study of three major figures in art history, Gustave Courbet, Paul Gauguin and James Ensor. The research comprised the collection and sustained analysis of a large body of primary material in French and English, and required multiple trips to national archives in France and Belgium (e.g. BNF, Richelieu, Musée du Louvre and the Royal Museum of Belgium). The critical argument was especially complex as it brought together three fields (art history, literature and theatre studies) in different historical, artistic, linguistic and social contexts and analysed the neglected theme of performance in considerable depth.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -