Sonic Technologies: Popular Music, Digital Culture and the Creative Process
- Submitting institution
-
The University of Liverpool
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 14980
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Bloomsbury
- ISBN
- 9781501310614
- Open access status
- -
- Month of publication
- January
- Year of publication
- 2017
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This monograph is a substantial academic endeavour underpinned by a decade of scholarly research and immersion in the field of practice. The analysis of the historical, aesthetic and creative implications of digitisation on popular music offers new insights on its subject matter and explicitly situates digital music technologies in relation to broader patterns of digitisation. Drawing on perspectives from sociology, psychology and music studies, the book is ambitious in scope, simultaneously considering the political economy, creative practices and textual conventions of contemporary popular music in relation to their convergence and mutual effect.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
