James Joyce and the Phenomenology of Film
- Submitting institution
-
University of Bristol
- Unit of assessment
- 27 - English Language and Literature
- Output identifier
- 191628514
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Oxford University Press
- ISBN
- 9780198768913
- Open access status
- -
- Month of publication
- June
- Year of publication
- 2017
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- Based on four years of doctoral research plus considerable post-doctoral revision, this c.60,00-word scholarly monograph contributes to, and advances, three major research areas: Joyce studies (close literary analysis), film history (including archival work drawing upon newspapers and trade journals), and phenomenological approaches to literature and film (theoretical approaches gaining traction across film and literary studies). It is the first monograph to consider Joyce’s engagement with film via both film history and phenomenology, contextualising it within the cinematography of Charlie Chaplin, George Méliès and others, and through attention to technological cinematic devices such as the mutoscope, the stereoscope and the panorama.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -