The extravagance of music
- Submitting institution
-
University of St Andrews
- Unit of assessment
- 31 - Theology and Religious Studies
- Output identifier
- 252088094
- Type
- A - Authored book
- DOI
-
10.1007/978-3-319-91818-1
- Publisher
- Palgrave Macmillan
- ISBN
- 9783319918174
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2018
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- Yes
- Number of additional authors
-
1
- Research group(s)
-
C - Institute for Theology, Imagination, and the Arts
- Proposed double-weighted
- Yes
- Double-weighted statement
- Substantial interdisciplinary endeavour approximately 140,000 words. A collaborative project, by two academics in the Institute for Theology, Imagination and the Arts, investigating the relationship between two very different scholarly fields-Theology and Music—focussing on popular and classical music. Whilst the volume explores the potential religious significance of an unusually wide range of music, past and present, it is also a work of meta-criticism, in that it challenges the dominant approach in the field and outlines a new theoretical framework for the analysis of music and theology. The attributed individual is responsible for 55% of the book.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
