Accelerated rhythms and sonic routes : mapping the sound cultures of bakalao
- Submitting institution
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The University of Warwick
- Unit of assessment
- 26 - Modern Languages and Linguistics
- Output identifier
- 10202
- Type
- D - Journal article
- DOI
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10.1080/14636204.2019.1644946
- Title of journal
- Journal of Spanish Cultural Studies
- Article number
- -
- First page
- 287
- Volume
- 20
- Issue
- 3
- ISSN
- 1463-6204
- Open access status
- Not compliant
- Month of publication
- July
- Year of publication
- 2019
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This article is part of a recent special issue entitled ‘Spanish Sound Studies’, which was co-edited by Whittaker and Llano for the influential publication Journal of Spanish Cultural Studies. In bringing together leading scholars, the issue addressed the role of the auditory in Spanish culture and society from the 18th century to the present day, and is the first collection of essays of its kind in Spanish cultural studies to take sound as its critical point of departure. Multidisciplinary in scope, a key aim of the issue was to make productive connections between the disciplines of musicology (Samuel Llano and Eva Moreda), historical sound studies (Ian Biddle), cultural history (Rebecca Haidt) and audio-visual culture (Tom Whittaker and Kathleen Vernon). Most of the contributors attended the symposium ‘Iberian Sound Cultures’ in June 2018, supported by the Open World Research Initiative strand of the AHRC, and the discussions that arose from the symposium further informed the scope of the issue. Co-authored by Whittaker and Llano, the introduction (pp.199-208) establishes the field of Spanish Sound Studies, and makes an original intervention to studies of sound more broadly through the application of existing critical writing to the context of Spanish history. Whittaker’s own article ‘Accelerated Rhythms and Sonic Routes: Mapping the sound cultures of bakalao’ further develops the critical concepts explored in the introduction to dance subcultures of 1990s Spain. The contributors were invited to send proposals for articles, which were in turn assessed by the editorial board of the journal. The introduction and the completed articles and were then read by two anonymous reviewers.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -