Liberatura, literatura i książka artystyczna: kontekst, treść i istotne znaczenie materiału (Liberature, literature and the artist’s book: Context, content and material meaning)
- Submitting institution
-
University of the West of England, Bristol
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- 905335
- Type
- D - Journal article
- DOI
-
-
- Title of journal
- ER(R)GO. Teoria–Literatura–Kultura
- Article number
- -
- First page
- 91
- Volume
- 32
- Issue
- 1
- ISSN
- 1508-6305
- Open access status
- Compliant
- Month of publication
- December
- Year of publication
- 2016
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- Yes
- English abstract
- Revolving around the concept of the artist’s book, this article compares ‘liberary works’ with books created by artists. Sarah Bodman analyses the artistic creations of three main book artists: Sally Alatalo, John McDowall and Elisabeth Tonnard. The similarities between ‘liberary’ works and artists’ books are discovered in physicality, particularly in the meticulous designing and publishing of the work, which takes into consideration the size, material and appearance envisaged by its creator. In her article Bodman discusses the distinctions and relationships between liberature and artists’ books.
