Why go to pop concerts? The motivations behind live music attendance
- Submitting institution
-
Glasgow Caledonian University
- Unit of assessment
- 11 - Computer Science and Informatics
- Output identifier
- 33051449
- Type
- D - Journal article
- DOI
-
10.1177/1029864916650719
- Title of journal
- Musicae Scientiae
- Article number
- -
- First page
- 233
- Volume
- 21
- Issue
- 3
- ISSN
- 1029-8649
- Open access status
- Compliant
- Month of publication
- May
- Year of publication
- 2016
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
1
- Research group(s)
-
-
- Citation count
- 16
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- Research examining social impact of technological developments which facilitated the illegal downloading of recorded music. Situated in the rapidly changing social context of music consumption and consumer attitudes to the music industry. Cited by articles in event management (Muhs et al 2020), psychology (Blom et al 2020), and popular music and society (Westgate 2019). It is the third most read article in the Journal Musicae Scientiae.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -