Deity and Display : Meanings, Transformations, and Exhibitions of Tibetan Buddhist Objects
- Submitting institution
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University of Northumbria at Newcastle
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- 29237567
- Type
- D - Journal article
- DOI
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10.3390/rel11030106
- Title of journal
- Religions
- Article number
- 106
- First page
- -
- Volume
- 11
- Issue
- 3
- ISSN
- 2077-1444
- Open access status
- Compliant
- Month of publication
- February
- Year of publication
- 2020
- URL
-
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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1
- Research group(s)
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-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This article was co-authored with Louise Tythacott. Chiara Bellini was responsible for most of the sections on Tibetan art (2,3,4 and 5), while Louise Tythacott focused on museums (6,7,8,9).
The research was made possible by an AHRC grant on ‘Tibetan Buddhist Monastery Collections Today’ (2016-19), which focused on the documentation of collections and development of museum displays in monasteries in Ladakh and Nepal. Christian Luczanits was the Primary Investigator (PI), Louise Tythacott the Co-Investigator (CI) and Chiara Bellini the Post-Doctoral Researcher.
This research is related to the AHRC funded project, ‘Tibetan Buddhist Monastery Collections Today’ (2016-19). Project reference: AH/N00681X/1.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -