Performance in the Twenty-First Century
- Submitting institution
-
Guildhall School of Music & Drama
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- LAVANDB
- Type
- A - Authored book
- DOI
-
10.4324/9780203128176
- Publisher
- Routledge
- ISBN
- 9780203128176
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2016
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This output is a 90,000-word research monograph that expounds an overarching case concerning ‘engagement’ (as phenomenon and strategy) in twenty-first-century performance. An extended opening chapter develops the book’s central theme concerning a post-postmodern paradigm that shapes and informs modes of engagement in contemporary theatre and performance. The book is then divided into four multi-perspectival sections that expand its argument, addressing key features of performance (mediation, acting/performing, spectating, and cultural production). Its nine chapters share an accumulative research method, considering scholarship from various disciplines along with analysis derived from situated viewings (over broadly a six-year period) of diverse productions and events.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -