Reference and self-reference in the work of Douglas Huebler
- Submitting institution
-
University for the Creative Arts
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- Rahtz, D. 2018. RS
- Type
- C - Chapter in book
- DOI
-
10.4000/critiquedart.38232
- Book title
- L’Art de Douglas Huebler (sous la dir. d’Anaël Lejeune, Alexander Streitberger, Christophe Viart)
- Publisher
- PU RENNES
- ISBN
- 9782753574533
- Open access status
- Out of scope for open access requirements
- Month of publication
- -
- Year of publication
- 2018
- URL
-
https://research.uca.ac.uk/3507/
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
-
- Research group(s)
-
2 - Fine Art and Photography Research Centre
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This essay is a chapter in a book of scholarly art history essays on the American Conceptual artist Douglas Huebler, the first book of this kind on his work. Rahtz considers the referential aspects of Huebler’s work in terms of the linguistic category of deixis, with particular reference to Roland Barthes and Émile Benveniste. The essay was translated into French for this publication. The PDF includes both the published book introduction and the chapter in French, and the original chapter text in English.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
