Red Kant: Aesthetics, Marxism and the Third Critique
- Submitting institution
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Brunel University London
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 013-107804-4433
- Type
- A - Authored book
- DOI
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- Publisher
- Bloomsbury Publishing
- ISBN
- 9781472505118
- Open access status
- -
- Month of publication
- September
- Year of publication
- 2014
- URL
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- Yes
- Number of additional authors
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0
- Research group(s)
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1 - Film & TV
- Proposed double-weighted
- Yes
- Double-weighted statement
- An original reading of Kant's aesthetic philosophy that rescues Kant from pre-existing traditions that have tried to claim or classify his work, including the analytical tradition, the orthodox Marxist critique and continental philosophers who have passed through post-structuralism and 'returned' to Kant. Kant is read as an important precursor to a materialist, realist, humanist Marxist understanding of creative, critical communication in the register of the aesthetic.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -