Future Sounds: The Temporality of Noise
- Submitting institution
-
University of Greenwich
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- 20023
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Bloomsbury Academic
- ISBN
- 9781501321054
- Open access status
- Out of scope for open access requirements
- Month of publication
- -
- Year of publication
- 2018
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- Future Sounds constitutes a complex piece of research that involved the collection and analysis of a large body of material. It presents critical insights which were dependent upon the completion of a lengthy period of investigation of materials that are explored in considerable depth. The book sets out in detail the distinction between linear and predictable continuities and complex discontinuities, as the relationship between dialectical thinking and sound is re-mixed. In doing so it offers a counterpoint to Jacques Attali’s claim that sound should be understood as a herald that can predict change in the broader political economy.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
