Coherence in new music : experience, aesthetics, analysis
- Submitting institution
-
York St John University
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 93
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Routledge
- ISBN
- 9781472446657
- Open access status
- Out of scope for open access requirements
- Month of publication
- June
- Year of publication
- 2016
- URL
-
http://ray.yorksj.ac.uk/id/eprint/1681/
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This monograph investigates the concept of coherence in post-1980s art music in considerable depth and from a variety of perspectives. It is built upon detailed analyses of eight contemporary compositions (these formed the core ‘primary sources’ for the work); most of these are lengthy and have not previously been discussed in any depth in print. Emerging themes from these analyses are then developed so as to critique core concepts in contemporary musicology, analysis, and the historiography of new music. In the process it draws from concepts from outside musicology that include metaphor theory, continental philosophy, perceptual psychology, and literary criticism.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
