Indian Modern Dance, Feminism and Transnationalism
- Submitting institution
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Royal Holloway and Bedford New College
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 27237047
- Type
- A - Authored book
- DOI
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10.1057/9781137375179
- Publisher
- Palgrave Macmillan
- ISBN
- 978-1-137-37516-2
- Open access status
- -
- Month of publication
- October
- Year of publication
- 2014
- URL
-
-
- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- Dissemination:
This monograph won the de la Torre Bueno Prize from the Society of Dance History Scholars (2015) and the Outstanding Publication Prize from the Congress on Research in Dance (2015).
Material before 2014:
The monograph features material from four articles in the University of Plymouth’s REF2014 submission:
(1) Warrior, Untouchable, Courtesan: Fringe Women in Tagore’s Dance Dramas (2009);
(2) Performing Identity Politics: South Asian Dance in Britain (2010);
(3) Dancing Otherness: Nationalism, Transnationalism and the Work of Uday Shankar (2012);
(4) Subversive Bodies: Feminism and New Dance in India (2013).
Excerpts from (1) are in the Introduction and Chapter 1 of the book. Output (3) became chapter 2. Short sections of (4) are used in Chapters 4 and 5, and (2) was used only for the biographical details about Ranjabati Sircar in Chapter 5. The majority of Chapters 1, 4 and 5 and the entirety of Chapter 3 comprise new material.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -