Monteverdi, the 1610 Vespers and the beginnings of the modern musical work.
- Submitting institution
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University of Glasgow
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 33-03043
- Type
- T - Other
- DOI
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- Location
- -
- Brief description of type
- Multi-component output with hardcopy journal article and physical CD
- Open access status
- -
- Month
- -
- Year
- 2018
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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- Research group(s)
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- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- The primary output here is the journal article, which sets out a particular thesis regarding the historical significance of Monteverdi’s 1610 Vespers. The recording is designed to show how this conception might work in practice, by presenting the Vespers as a single, self-standing performance, one which is distanced from liturgical considerations or from the option of presenting variants and alternative content. The recording also experiments with several aspects of historical performance practice, especially tempo relations, as outlined in the accompanying booklet.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
