Traditionelle Rivalen? Künstleri-sche Dialog zwischen Florenz und Siena im zweiten Viertel des 15. Jahrhunderts
- Submitting institution
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Courtauld Institute of Art
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- 78
- Type
- C - Chapter in book
- DOI
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- Book title
- Florenz und seine Maler: Von Giotto bis Leonardo da Vinci
- Publisher
- Hirmer Verlag GmbH
- ISBN
- 978-3-7774-3064-5
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2018
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
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- Research group(s)
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- Proposed double-weighted
- No
- Reserve for an output with double weighting
- Yes
- Additional information
- -
- Author contribution statement
- -
- Non-English
- Yes
- English abstract
- This article, in German, was published in the catalogue that accompanied the exhibition Florenz und seine Maler: von Giotto bis Leonardo da Vinci at the Alte Pinakothek in Munich between 18 October 2018 and 3 February 2019. In the context of a show that celebrated Florentine painters, it argued that Sienese artists (and primarily Sienese painters) had a noticeable impact on Florentine art (both painting and sculpture) in the second quarter of the fifteenth century. As such, it sought to bring Siena back from the artistic margins and undermine the myth of Florentine Renaissance styles as home grown.