Sounding Feminine: Women's Voices in British Musical Culture, 1780-1850
- Submitting institution
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Queen Mary University of London
- Unit of assessment
- 28 - History
- Output identifier
- 1535
- Type
- A - Authored book
- DOI
-
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- Publisher
- Oxford University Press
- ISBN
- 9780190097561
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2020
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This book is based on a doctoral dissertation completed at the University of Oxford, expanded, and revised over six years while the author held postdoctoral positions at KCL. 240-pages long, it is a substantial, innovative, and sophisticated study, based on research in archives across the UK. It makes ground-breaking contributions to two fields: women's history and the history of music, by studying women's participation in musical performance between 1780 and 1850 as a touchstone for the development of public, increasingly commercialised, music making, as well as an indicator for the changing roles of women in religion, family, and community.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
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