Performance and Spectatorship in Edwardian Art Writing
- Submitting institution
-
The University of Birmingham
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- 58683976
- Type
- A - Authored book
- DOI
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10.1007/978-3-030-17024-0
- Publisher
- Palgrave
- ISBN
- 9783030170233
- Open access status
- -
- Month of publication
- May
- Year of publication
- 2019
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This monograph uncovers new links between performance, spectatorship and Edwardian art-writing, and explores how they functioned in dialogue with one another. Using fin-de-siècle criticism and fiction as a case study, it pilots a new methodology for analysing how art-writing (in a broad sense) played a role in constructing how we view and react to artworks. Based on extensive research conducted over a 5-years period, involving a wide range of sources including previously unpublished archival holdings, the book offers new perspectives on such writers as Roger Fry and G.B. Shaw, and on concepts such as aesthetic experience and embodied perception.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -