Digital Road Trips: The Shifting Landscape of Digital Art Shows
- Submitting institution
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Ravensbourne University London
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- NL03
- Type
- C - Chapter in book
- DOI
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10.1007/978-3-319-97457-6_7
- Book title
- Museums and Digital Culture;Springer Series on Cultural Computing
- Publisher
- Springer International Publishing
- ISBN
- 9783319974569
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2019
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
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- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
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- Research group(s)
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- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This book arose from my experience as a director of the Lumen Prize, and as the Chair of the Computer Arts Society. Based on my experiences with both of these organisations and numerous discussions with digital artists internationally, I wanted to survey the different scale at which these organisations worked, compared to some of the sizeable institutions that hosted the historically important shows of computer-based art in the 1960s. Changes in technology and approach have facilitated a very different engagement with computer-based art and I aimed to capture this transition, and consider what impacts this has on the nature of the art and its display.
- Author contribution statement
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- Non-English
- No
- English abstract
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