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Showing outputs 1 to 71 of 71

‘Clear, happy, and naïve’: Wilhelm Stenhammar’s music for As You Like It

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2018
DOI
10.1093/ml/gcy081
Open access status
Compliant
Title of journal
Music and Letters

‘More Powerful than Politics’: Affective magic in the DIY musical activism after ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2019
DOI
10.1017/s0261143018000715
Open access status
Deposit exception
Title of journal
Popular Music

“Die gute Unterhaltungsmusik” : Landscape, Refugee Cafés, and Sounds of “Little Vienna” ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2016
DOI
10.1093/musqtl/gdw004
Open access status
Out of scope for open access requirements
Title of journal
Musical Quarterly

'A great private party': The Participatory Theatrics of Country-House Opera-Goin ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2019
DOI
10.1093/oq/kbz005
Open access status
Compliant
Title of journal
Opera Quarterly

Adorno on Schenker: Reconstructing the Formation of a Critique

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2020
DOI
10.1111/musa.12157
Open access status
Exception within 3 months of publication
Title of journal
Music Analysis

Alan Bush, Modern Music, and the Cold War The Cultural Left in Britain and the Communist ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
A - Authored book
Year of publication
2017

Anytime, Anywhere? An Introduction to the Devices, Markets, and Theories of Mobile ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2014
Book title
The Oxford Handbook of Mobile Music Studies, Volume 1

Beltway Series and Bletchley Bedford Sandy from “48”

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
J - Composition
Year
2014

Beyond the Denominational Paradigm: The Motet as Confessional(ising) Practice in ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2018
Book title
Mapping the Motet in the post-Tridentine Era

Borderline - String Quartet No.3

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
J - Composition
Year
2019

C. Hubert H. Parry, Songs of Farewell

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
R - Scholarly edition
Year of publication
2017
Title of edition
C. Hubert H. Parry, Songs of Farewell

Challenging the Narrative of “Arab Decline”: Independent Music as Traces of Alexandrian ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2018
DOI
10.4000/ema.3828
Open access status
Deposit exception
Title of journal
Égypte/Monde arabe

Composing at the keyboard: assessing the theory behind Schoenberg’s musical type ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2017
Open access status
Deposit exception
Title of journal
Keyboard Perspectives

Counting musicians: a London catalogue aria in context

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2017
DOI
10.1093/em/cax047
Open access status
Compliant
Title of journal
Early Music

Da Pacem Domine: The Desire for Peace in Rudolfinian Music

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2019
Book title
Renaissance Music in the Slavic World

Delius and the Sound of Place

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
A - Authored book
Year of publication
2018

Distributed Creativity: Collaboration and Improvisation in Contemporary Music

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
B - Edited book
Year of publication
2017

Do Trouvère Melodies Mean Anything?

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2019
DOI
10.1111/musa.12121
Open access status
Compliant
Title of journal
Music Analysis

Dominicans and Polyphony: A Reappraisal of a Strained Relationship

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2018
Book title
Making and Breaking the Rules: Discussion, Implementation, and Consequences of Dominican Legislation

Emancipate the Quartertone: The Call to Revolution in Nineteenth-Century Music T ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2017
DOI
10.1086/693317
Open access status
Technical exception
Title of journal
History of Humanities

Empathic Entanglements: Music, Motion, Dance

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2017
Book title
Music-Dance: Sound and Motion in Contemporary Discourse

Empathy and the Ecology of Musical Consciousness

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2019
Book title
Music and Consciousness 2

Empires In Rivalry: Opera Concerts and Foreign Territoriality in Shanghai, 1930- ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2019
DOI
10.7208/chicago/9780226596150.001.0001
Book title
Operatic Geographies: The Place of Opera and the Opera House

Exercise Book

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
J - Composition
Year
2016

Forum on transcription

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2014
DOI
10.1017/s1478572214000024
Open access status
Out of scope for open access requirements
Title of journal
Twentieth-Century Music

From microsound to vaporwave: Internet-mediated musics, online methods, and genr ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2018
DOI
10.1093/ml/gcx095
Open access status
Compliant
Title of journal
Music and Letters

Hortus Musicae, Book 2

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
J - Composition
Year
2016

Igor Stravinsky

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
A - Authored book
Year of publication
2015

Improvisation as Composition

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2017
DOI
10.1093/oso/9780199355914.003.0021
Book title
Distributed Creativity Collaboration and Improvisation in Contemporary Music

'In the mood': Peer Gynt and the affective landscapes of Grieg's Stemninger, op. ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2016
DOI
10.1525/ncm.2016.40.2.106
Open access status
Out of scope for open access requirements
Title of journal
19th-Century Music

Interculturality in the playground and playgroup: Music as shared space for young ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2016
Book title
The Routledge International Handbook of Intercultural Arts Research

Intertextual and intersonic resonance in Richard de Fournival’s Bestiaire d'amour: ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2017
Open access status
Compliant
Title of journal
Romania

'Je le temoin en mon chant': The art of diminution in the Petronian triplum

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2018
Book title
The Montpellier Codex: The Final Fascicle. Contents, Contexts, Chronologies

Made to Measure: Compositional Challenges behind the Penitential Psalm Codices from ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2018
Book title
The Production and Reading of Music Sources: Mise-en-page in manuscripts and printed books containing polyphonic music, 1480 - 1530

Making time: temporality, history, and the cultural object

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2015
DOI
10.1353/nlh.2015.0025
Open access status
Out of scope for open access requirements
Title of journal
New Literary History

Manuscript Ivrea, Biblioteca Capitolare 115

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
A - Authored book
Year of publication
2019

Manuscripts and Medieval Song Inscription, Performance, Context

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
B - Edited book
Year of publication
2015

Meeting the garden halfway: Ethnographic encounters with a sound installation mi ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2019
DOI
10.5406/ethnomusicology.64.3.0498
Open access status
Compliant
Title of journal
Ethnomusicology

Monophonic Song in Motets: Performing Quoted Material and Performing Quotation

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2017
Book title
Performing Medieval Text

Motets pro Defunctis in the Iberian world: Texts and Performance Contexts

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2018
Book title
Mapping the Motet in the Post-Tridentine Era

Music technology, gender, and class: digitization, educational and social change ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2015
DOI
10.1017/S1478572215000018
Open access status
Out of scope for open access requirements
Title of journal
Twentieth-Century Music

Music, empathy and cultural understanding

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2015
DOI
10.1016/j.plrev.2015.09.001
Open access status
Out of scope for open access requirements
Title of journal
Physics of Life Reviews

Musical spectra, l'espace sensible, and contemporary opera

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2018
DOI
10.1017/S1478572218000087
Open access status
Compliant
Title of journal
Twentieth-Century Music

On nonhuman sound: Sound as relation

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2019
Book title
Sound Objects

Operatic Geographies: The Place of Opera and the Opera House

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
B - Edited book
Year of publication
2019
Open access status
Out of scope for open access requirements

Organised Cultural Encounters: Collaboration and intercultural contact in a lullaby ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2018
Open access status
Deposit exception
Title of journal
World of Music

Pitch vs. Timbre

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
T - Other
Year
2019
DOI
10.1093/oxfordhb/9780190637224.013.33

'Practical Jokes': Britten and Auden's Our Hunting Fathers Revisited

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2018
Book title
Literary Britten: Words and Music in Benjamin Britten’s Vocal Works

Reclaiming Late-Romantic Music Singing Devils and Distant Sounds

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
A - Authored book
Year of publication
2014

Rehearsing the Social: Beethoven’s late Quartets in Paris, 1825-1829

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2020
DOI
10.1525/jm.2020.37.3.349
Open access status
Compliant
Title of journal
Journal of Musicology

'Sancta Caecilia Rediviva'. Elizabeth Linley: repertoire, reputation and the English ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2015
DOI
10.1017/S0954586715000117
Open access status
Out of scope for open access requirements
Title of journal
Cambridge Opera Journal

Scaramouche, scaramouche: Sibelius on stage

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2020
DOI
10.1017/rma.2020.15
Open access status
Exception within 3 months of publication
Title of journal
Journal of the Royal Musical Association

Scarlett Johansson's body and the materialization of voice

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2016
DOI
10.1017/S1478572215000201
Open access status
Out of scope for open access requirements
Title of journal
Twentieth-Century Music

Serenade (recorded by the Accordes! ensemble)

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
I - Performance
Year of first performance
2019

Singing in the Age of Anxiety: Lieder Performances in New York and London between ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
A - Authored book
Year of publication
2018

Stereophonica: Sound and Space in Science, Technology, and the Arts

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
A - Authored book
Year of publication
2021

Street Concerts and Sexual Harassment in Post-Mubarak Egypt: Ṭarab as Affective ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2020
DOI
10.1215/9781478009122-008
Book title
Playing for Keeps: Improvisation in the Aftermath

String Quartet, No 4

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
J - Composition
Year
2018

Technologies of the Musical Selfie

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2019
DOI
10.1017/9781316676639
Book title
The Cambridge Companion to Music in Digital Culture

The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2020
Book title
Disiecta Membra Musicae: Studies in Musical Fragmentology

The estampies of Douce 308

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2020
Book title
Music and Instruments of the Middle Ages: Essays in Honour of Christopher Page

The Mimetic Basis of Pure Music in Machaut's Refrain Songs: Part 1, musical mimesis ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2020
Open access status
Compliant
Title of journal
Plainsong and Medieval Music

The Mobilization of Performance: An Introduction to the Aesthetics of Mobile Mus ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
C - Chapter in book
Year of publication
2014
Book title
The Oxford Handbook of Mobile Music Studies, Volume 2

The Requiem of Tomás Luis de Victoria (1603)

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
A - Authored book
Year of publication
2019

The Resurrection of the Soldiers

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
J - Composition
Year
2016

The Works of Monsieur Noverre Translated from the French: Noverre, His Circle, and ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
B - Edited book
Year of publication
2014

Theatrical Marginalia: Pierre Baillot and the Prototype of the Modern Performer

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2020
DOI
10.1093/ml/gcz110
Open access status
Compliant
Title of journal
Music and Letters

Thus Spoke the Early Modernist: Zarathustra and Rotational Form in Webern's String ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2015
DOI
10.1017/s1478572215000043
Open access status
Out of scope for open access requirements
Title of journal
Twentieth-Century Music

Touring the Antebellum South with an English Opera Company: Anton Reiff’s Riverboat ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
B - Edited book
Year of publication
2020

Uniting the arts to stage the nation: Le Sueur’s Ossian (1804) in Napoleonic Par ...

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2020
DOI
10.1017/S095458672000004X
Open access status
Exception within 3 months of publication
Title of journal
Cambridge Opera Journal

Versioning Strauss

Submitting institution
University of Oxford
Unit of assessment
33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
Type
D - Journal article
Year of publication
2017
DOI
10.1525/ncm.2017.40.3.283
Open access status
Compliant
Title of journal
19th-Century Music
Showing outputs 1 to 71 of 71

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